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Daintree Networks Provides Technology for Universal Music Group’s Energy Reduction Project

Daintree Networks recently announced its technology was deployed in a major energy efficiency project undertaken by Universal Music Group (UMG). Daintree Networks ControlScope® software and intelligent devices are being used to significantly reduce energy use across 150,000 square feet of space over four floors at UMG’s new offices in Woodland Hills, Calif. UMG will seek LEED Silver certification for the project, which was completed February 28.

Daintree Networks’ technology aided UMG in a progressive energy-saving project, one of the first and biggest of its kind in Southern California. UMG’s project included installing technology for daylight harvesting, dimming, LED lighting fixtures, and occupancy sensors. The project also allows UMG to comply with California’s Title 24 requirements, which call for a 25-percent reduction in energy consumption in both commercial and residential buildings compared with previous state requirements.

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“When we began looking at options for upgrading our offices, we knew we had some significant work to do to ensure our new building would comply with the latest version of the Title 24 standards. We also understood the importance of conservation to decrease our environmental impact and reduce energy costs,” said Kevin Garabedian, UMG’s Vice President of Administrative Services and Facility Operations. “We considered various proprietary solutions that were cost prohibitive. Within a fairly short time, however, it became clear Daintree’s wireless networked smart technology was the best and most cost-effective way to achieve compliance while offering the flexibility to meet our future needs due to its use of open standards.”

California’s Title 24 energy standards were created in 2008 specifically to drive reduction in energy use for commercial and residential buildings. The 2013 standards went into effect July 1, 2014, and must be met for all new and retrofit building permits granted after January 1, 2014.

Art Space THE CUBE Wins IES Lighting Control Innovation Award of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that a lighting control scheme plays in producing color-changing effects in an art space in the city of Moscow. Lighting control design by Aleksey Zvyagin, Lighting Designer, MDM-Light. Photography by Pavel Lantsov.

The project of lighting art space The CUBE is unique. Here, it was necessary to take into account not only features of three different functional areas, but create something special. With LED RGB systems, the designers had the opportunity to make different lighting scenarios in separate functional areas and to control them via a PC.

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The designer used zoning by functional area to develop the control system plan.

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The CUBE is situated in a former three-tier factory structure consisting of a main exhibition area at the bottom, with a conference room inside the cube, and the roof terrace.

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The cube walls are mobile panels that can be adjusted up and down, creating various configurations on the first floor. To illuminate this space, the design includes 150 open fluorescent lamps arranged in several rows at the ceiling and at walls consisting of perforated metal panels. Thanks to the careful disposition of lamps, the perception of the space can be completely changed.

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When the lights are turned OFF, the walls and ceiling seem to be tightly sewn metal.

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The light of the lamps is refracted by cells of the panels, creating bizarre light patterns and transforming the room.

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By connecting different ranks of lamps in various zones, the pattern of light can be changed.

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The outdoor terrace on the roof of the “cube” is fantastically transformed by spectacular decorative LED linear luminaires.

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The lenses are angled to produce an unbroken wall wash effect across 14 meters of wall.

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The RGB system provides high color saturation.

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CLTC Wins LEEP Award for Controls Project

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The California Lighting Technology Center (CLTC) recently won an award for “Best Use of Lighting Controls in a Single Facility” from the Lighting Energy Efficiency in Parking (LEEP) Campaign for a state-of-the-art lighting system demonstration at NorthBay VacaValley Hospital in Vacaville, CA.

Click here to learn more.

eBay Customer Service Center Wins IES Lighting Control Innovation Award of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that a lighting control scheme plays in both producing both color-changing effects and ongoing energy cost savings at the eBay Customer Service Center. Lighting control design by Mark Greenawalt, lighting designer for SmithGroupJJR. Photography by Scot Zimmerman Photography and Mark Greenawalt, PE, LC, LEED BD+C, SmithGroupJJR.

This 240,000-sq.ft. facility achieved LEED-Gold with points for Light Pollution Reduction and Controllability of Systems Lighting. Facade lighting during pre-curfew hours is additionally controlled by a DMX storage/playback device that orchestrates four programmed shows. Dynamic color changing LED fixtures at the parapet illuminate the tree canopies from above while landscape fixtures uplight from below, both located for ease of maintenance.

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Open offices designed with fully-dimmed daylight harvesting. Controls included photosensors, vacancy sensors, and wireless overrides mounted on steel beams. Visual comfort is maximized with pendant indirect lights and automated shades for glare control.

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Energy efficient LED parking lot fixtures installed with peer-to-peer wireless system with individual and group control, continuous dimming, automated scheduling, and remote monitoring and measurement.

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Pendant and accent fixtures addressed the complexity of the open structure ceiling.

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Color changing lights for the auditorium stage are controlled by 48-Channel theatrical dimming console that features 24-step sequences, 199-step cues, moving light controls, and MIDI/DMX communication.

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Primary colors of the corporate logo helped achieve the performance criteria to be playful and colorful.

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Common areas utilize centralized lighting control relay system with area overrides and emergency night lights on generator. Private offices equipped with vacancy controls with full dimming for occupant comfort.

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The connector tunnel between buildings features 5′-square gloss black star field panels. Controls make Fiber Optic stars twinkle. Blue fluorescent lamps uplight the space above while MR-16 spots accent the path of egress.

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Cafeteria includes energy saving daylight harvesting for perimeter zones.

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Exterior lighting is controlled by automated relay panels with astronomic time clock programming.

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Energy Efficiency: High performance classroom lighting includes integrated mode controls and vacancy sensors tied to HVAC controls. Pendants provide uniform lighting with 2-lamps in general mode OR 1-lamp in audio-visual mode.

Budget: Lighting package was value engineered in half while maintaining a robust lighting control system.

Forensic Center Wins IES Lighting Control Innovation Award of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that a sophisticated lighting control scheme plays in controlling lighting at a forensic center. Lighting control design by Michael Shiu, lighting designer for Stantec Consulting Ltd. Photography by Richard Johnson. Lighting controls by Fifth Light.

This 550,000 SF Forensic Services and Coroner’s Complex is one of the largest of its kind in the world. The lighting design meets the $497M project budget and creates a practical atmosphere for a modern, integrated, and energy efficient building. Fixtures are robust, secure, and easily maintained. All building fixtures are controlled by a DALI system, make use of daylight, occupancy and photosensors, and use T8 fluorescent, LED or compact fluorescent lamps to meet IES, LEED and ASHRAE requirements. In the coroner’s courts entrance canopy, an exterior lighting sensor and astronomical clock control the recessed compact fluorescent TTT lamp pot
lights.

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Simple architecture and decorative lighting in public spaces create a welcoming yet authoritative atmosphere. Exterior lighting sensors and an astronomical clock control all exterior pole-mounted and wall-mounted light fixtures.

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The five-story-high atrium’s bridges and stairs connect multiple spaces. Atrium circulation lighting is always on, except for statutory holidays. A DALI control adjusts light output.

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In the atrium’s sitting areas, an astronomical clock and occupancy sensor control the lighting.

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The daylighting design utilizes large glazing walls, windows and sunlight. In the public courts entrance, daylight sensors control and dim the lighting levels.

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Daylight sensors and occupancy sensors control lighting in corridors with tall windows via a DALI lighting system.

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Daylight sensors and occupancy sensors control office area lighting with a DALI ballast connected to a DALI lighting-control system.

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Courtrooms utilize compact fluorescent down lights and cove lighting. Each fixture in the court rooms is fully dimmable with an addressable DALI ballast and controlled by a local digital control panel using the DALI interface.

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Secure areas employ high-security fixtures. Labs and autopsy areas, for example, utilize recessed fluorescent clean-room fixtures, which are controlled by local switches and a centralized DALI lighting system.

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Cuyahoga County Public Library-Garfield Heights Branch Wins IES Lighting Control Innovation Award of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that lighting controls play in a library’s energy-efficient lighting, designed to contribute to a goal of the building being designated as LEED Silver. Lighting control design by Ardra Zinkon, lighting designer, Tec Studio. Lighting controls by Lutron Electronics.

With LEED Silver as the goal, high-end expectations are met within this 30,000-sq.ft. new construction library branch through careful planning and integration of the lighting design solution. The lighting system for this project operates at a minimum of 16% less than 90.1 primarily through the use of fluorescent product to maintain the budget.

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The Café is illuminated with fluorescent pendants equipped with DALI dimming ballasts. Suspended CMH track fixtures highlight the display of current periodicals. The track is equipped with a current-limiting device for reduced energy consumption, and is tied to the DALI system through the use of an addressable switching module.

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As daylight filters in through the clerestory windows, continuous runs of linear fluorescent provide task illumination throughout the open architecture; at stack and computer stations and respond to RF photosensors. The linear pendants provide a hint of uplight emitted from the side cut-outs, ensuring contrast ratios are within recommended practice.

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Stack Areas require higher illumination than Seating or Computing, creating a challenge in an open environment. Ballast tuning was used within the multi-layered control strategy. An estimated savings of 25% has been calculated for these areas.

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Free-standing meeting rooms reside within the open structure. Fluorescent pendants provide even illumination, and are controlled via local occupancy sensor. Lighting can be easily re-configured (if needed) due to the use of a raised floor system for wiring and RF controls.

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Skylights within the teen area bring natural light into the space to ensure the location remains attractive to visitors, tucked into the back of the library. Daylight Harvesting has been used throughout the space for additional savings.

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In addition to reduced lighting power density and the innovative use of controls, this project has been approved for an innovation credit following the LEED credit for Sustainable Purchasing: Reduced Mercury in Lamps.

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New York Historical Society Orientation Theatre Wins IES Lighting Control Innovation Award of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that lighting controls play in enhancing the presentation experience in a museum auditorium, specifically, following the renovation of the New York Historical Society Orientation Theatre. Lighting control design by Ted Mather, lighting designer for Available Light. Lighting controls by ETC.

The New York Historical Society Auditorium was an extensive renovation. Shown here is the space before the renovation.

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A custom LED fixture with a 2” diameter flangeless glass cylinder magically protrudes from the new acoustic ceiling. The entire fixture is removable from the front for service and replacement. Custom dimming power supplies provide control of every single fixture, allowing for dynamic effects during the show. A custom automated truss lowers for fixture servicing.

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Throughout the day, “New York Story,” a multi-media film featuring a 70’ wide high definition projection on 15 moving screens, all augmented with theatrical lighting plays. The theatre is a multi-purpose space suitable for
everything from poetry readings to Lady Gaga. The events system consists of fixtures that are pre-programmed to a dozen different configurations, such as single podium, Powerpoint presentation, roundtable, and full stage. The staff can summon these scenes and dozens of color combinations through an intuitive touch screen controls.

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As visitors enter during preshow, they are bathed in slowly color-changing walls, seats and soft orbs of light on the show curtain. The show lighting is recorded on a four-universe DMX recorder to ensure the show plays back
to SMPTE consistently.

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Flickering flame effects start in the center with the film, and transition into the house as fire “spreads” in the narrative.

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Textured light reflected off moving mirrors extends the movement of light in the film out into the house.

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Audience members become part of the show in a sequence about 1980s Rap in NYC. Since the arrival of this permanent installation, attendance at NYHS has tripled.

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Energy Efficiency: LEDs were used extensively. A custom driver was developed to ensure smooth fades to black, replicating the smooth fades of traditional sources. Automated theatrical fixtures are all halogen, which are
completely off while not in use, unlike arc-lamp fixtures.

Artist Uses ETC Selador to Make His Paintings Pop

Lighting director Franck Evin used 40 ETC Selador® Desire® D22 luminaires in a London art gallery to make the colors in the artwork “pop.”

“Using ETC Selador LED is a radical way to fix the lights,” he says. “It looks fantastic!”

The challenge Evin faced was that the painter, Berlin-based Jonas Burgert, likes to paint in big, bold colors. To make the colors really stand out, he needed something that would generate bright and vibrant but well-balanced light, without the heat that would typically be generated by traditional light sources.

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After a number of tests with different fixtures, he decided on Desire D22 Lustr+ arrays, which produces a wide range of colors, from deeply saturated hues, to subtle pastels and whites. Setup was made easy by the fact that the luminaires can be programmed at the touch of a button on the back of each lamp.

Evin points out that with traditional LED fixtures, it would be difficult to achieve a balanced white. “Jonas is a specialist in mixing colors,” says Evin, “making them appear very dreamy. He is working with a new technique, with several different layers; that’s why they look so good with these lamps. He loves them, because it’s the first time you can really see the colors. It’s a different way to show the paintings.”

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“These fixtures are a great investment for the gallery,” continues Evin. “We did a test with the Selador D22s and traditional Source Four fixtures. But the D22s were smaller and lighter, and the light they produced was ideal for our needs.”

Jonas Burgert’s exhibition, Stück Hirn Blind, is on at London’s Blain Southern gallery in Hanover Square until November 22, 2014.

Städel Museum Wins IES Lighting Control Innovation Award Of Merit

The Lighting Control Innovation Award was created in 2011 as part of the Illuminating Engineering Society’s Illumination Awards program, which recognizes professionalism, ingenuity and originality in lighting design. LCA is proud to sponsor the Lighting Control Innovation Award, which recognizes projects that exemplify the effective application of lighting controls in nonresidential spaces.

This month, we will explore the role that lighting controls play in enhancing the visitor experience at Städel Museum. Lighting and control design by Andreas Schulz, Tanja Baum, Alexander Rotsch and Thomas Möritz, lighting designers for Licht Kunst Licht AG. Photography by Norbert Miguletz. Lighting by Zumtobel.

The inner courtyard, or Städel Garden, is studded with 195 circular skylights. They range from 1.5 meters in diameter along the sides to 2.5 meters in the center. The exhibition space beneath adds 3,000 square meters to the museum.

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The skylights are equipped with a complex system of horizontal, movable screens.

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Downlights are recessed into the coffered ceiling; a peripheral track holds adjustable LED projectors for accent lighting.

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Looking back towards the staircase, all lighting equipment is confined to two troughs with track-mounted fully adjustable LED spotlights for general as well as display accent lighting. All LED lighting fixtures have adjustable color temperatures.

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The circular skylights are omnipresent in the underground Gartensaal. The domed ceiling appears weightless as it is supported only by slim stilts that are concealed by light partition walls.

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The perimeter of the skylights carries tightly arranged LED boards that supplement the natural light. Both intensity and color temperature of the lighting elements are individually controllable within each skylight. The narrow gap between the diffuser and the concrete edge accommodates connecting points for LED spotlights and framing projectors.

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Different conservational or curatorial requirements may apply to each of the zones of the hall, and precise target horizontal or vertical illuminance levels are achieved by measuring out the daylight ingress through a series of reduction layers, up to a full black-out, that automatically uncurls within the skylight. Artificial lighting is then added as required. A complex control
system coordinates the daylight reduction as well as the diffuse LED panels and possible spotlights whilst adapting to a flexible zoning of the hall.

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A diaphanous fabric material stretches over the skylight apertures. It diffuses the incoming light but still allows one to get a sense of the blue sky and connect with the exterior.

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ETC Helps Show Ancient Artwork in a New Light

When lighting designer Amarasri Songcharoen (aka Marci Song) of Seam Design was looking for the best lighting fixtures to light the 500-year-old Raphael Cartoons – a series of large art pieces by Rafael on exhibit in London’s Victoria & Albert Museum – she knew she needed something special. It had to be something that would output minimal or no ultraviolet light, as well as provide a perfectly lighted atmosphere for a giant mirrored sculpture that was to be installed as part of the London Design Festival.

As part of the month-long Precision & Poetry in Motion exhibition, design agency Barber Osgerby developed a system of two giant mirrored aeronautical “wings” that were suspended in the room and would slowly rotate on motors, altering the reflections of the Raphael Cartoons as they did. To light the artworks, she used 16 ETC Source Four LED™ Series 2 Lustr® fixtures, controlled by an ETC Ion® control desk.

“We were asked to provide a lighting strategy and design for the room and of the sculpture to reveal the Barber Osgerby sculpture in its best light,” says Song. “We also had to pay careful consideration to providing appropriate light sources and light levels for priceless art pieces, which are on loan from Her Majesty Queen Elizabeth II.”

Photo by Ed Reeve.

Photo by Ed Reeve.

The sculpture’s wings were clad with a highly polished mirror finish. Song says that the best-lit effect was to light the elements surrounding it, rather than lighting the piece itself – but since the floating objects occupied most of the view to the ceiling – the existing high-level lights for the artwork would be blocked periodically, making them unsuitable for this installation.

Seam Design’s proposal therefore involved a completely new system for lighting the room, using striking illumination to the Raphael Cartoons and a dramatic wash to the floor. The Cartoons are then reflected on the wings above them, so that they can be seen by the people standing underneath.

“Through its slow rotations,” describes Song, “the sculpture is disorientating and mesmerizing, emerging from high level in an uncanny way. The dramatic light enhances these experiences.”

Photo by Ed Reeve.

Photo by Ed Reeve.

Each of the cartoons, which were commissioned by Pope Leo X in 1515 and were intended to hang below Michelangelo’s famous ceiling in the Vatican Palace, are up to 3.5m high by 5.3m wide (11.4ft x 17.4ft), which meant that even in the very large 46m long x 25m wide (151ft x 82ft) gallery, Seam had just 70cm (2.3ft) of clearance between the wings and the face of the artwork’s surfaces. They therefore needed a product capable of very wide beam-throw that still allowed for an ability to control light spill to the walls – plus, with ultraviolet light being a danger to artwork – they needed a low- or zero-UV fixture, making LED the obvious choice.

“ETC’s Source Four LED Series 2 Lustr with a 90-degree lens tethered to an ETC Ion desk met all of our requirements,” explains Song. “We were able to shutter and frame the light to enhance the artwork. The success of the lighting scheme is that the polished wings rely heavily on the illumination of the cartoons and the floor to be perceived. In the intimate darkness of the room, with focused light taking your attention to the artwork, the sculpture becomes very mysterious – almost imperceptible until they catch the light and reflections illuminate their surfaces. This is an incredible dimension to add to the experience of the installation, which is an epic feat of engineering in its own right and exhibits attributes entirely beyond its impressiveness as a machine.”

Photographer Credit : Ed Reeve

Seam worked closely with ETC and Hawthorns, who installed the lighting and helped to program the color tuning and settings. The fixtures were set to a very warm 2,600-degree color temperature – the color of candlelight – helping the Cartoons appear almost like tapestries as they may have looked in the 16th century.

Attending the launch event, ETC’s regional manager for the UK and Ireland, Mark White, was asked a number of times if the lighting on the cartoons was really LED and not tungsten. “LEDs are usually associated with the blue-white cold light fitted these days to bathrooms and the like,” he says, “so to see apparent candlelight coming from the Source Four LEDs was an eye-opener.”

“ETC and Hawthorns were very responsive, particularly on a fast-track install of two weeks with schedules changing day to day as we were getting near the opening,” concludes Song. “They were amazing teams to work with. And we heard that the museum likes it so much that there was talk to make the fixtures part of a permanent installation for the gallery.”

Photo by Ed Reeve.

Photo by Ed Reeve.

The Double Space for the BMW Precision & Poetry in Motion exhibition is on display at London’s Victoria & Albert Museum from September 13th through October 24th, 2014. Entry is free.

For more information about ETC products, visit www.etcconnect.com.